Feedback is an interactive installation that aims to encourage performance from members of the public and circus performers alike. Using the familiar form of a mirror, the installation uses cutting-edge computer vision techniques to allow users to remix their bodies in real time, and display them on a large scale over the interior and exterior of the Roundhouse in Camden.

By dancing, performing – or even modestly gesturing in front of the screen – the installation will capture the movement of anyone interacting with it to create a graphic animation of their body movements. The effect is similar to that of a ‘Hall of Mirrors’, generating an unexpected and magical wobbly, bendy or stretched reflection.

Four Letter Words consists of four units, each capable of displaying all 26 letters of the alphabet with an arrangement of fluorescent lights.

The piece displays an algorithmically generated word sequence, derived from a word association database developed by the University of South Florida between 1976 and 1998. The algorithms take into account word meaning, rhyme, letter sequencing, and association.

The algorithm’s tendency towards scatological or “dark” subject matter is influenced by a variety of language and perception studies, especially Elliot McGinnies’ 1949 study “Emotionality and Perceptual Defense.”

While the piece was conceived with idea of displaying algorithmically generated lists, it was designed with flexibility and expandability in mind. The individual units can be connected ad-infinitum, and are theoretically capable of displaying any length of text. While Four Letter Words deals with a specific range of content, the technology can be easily expanded for future textual experiments.

I’m Not An Artist is a work in progress project commissioned by Elisava School of Design with concept, creative direction and design by Soon in Tokyo, a communications agency made up of former Elisava students and teachers.

It started with 56 animated gifs directed by Johnny Kelly and Matthew Cooper and aims to grow and to be a platform with the participation of young designers and creatives from all over the world.

The Conductor (Fortuna Imperatrix Mundi) by Rashaad Newson,  is the first of a six part video installation. The 3:55 min. digital video loop is made up of footage from various hip-hop videos. All the footage is digitally enhanced and re-edited to track the motion of the hands of the artists. The audio is a composite of sounds consistently heard in artist deemed Hip Hop music greats from a survey conducted with local New York radio stations Hot 97 and 105.1 These sounds are then weaved in and out of Carl Orff’s “Carmina Burana”. The seeming fluidity of the image belies the painstaking nature of the production process: over 5000 individual video frames have been enlarged and repositioned to create the moving image.

Zeitguised made a piece in six acts for the opening exhibition at the Zirkel Gallery. It entails six imaginations of disoriented systems that take a catastrophic turn, including the evolution of educational plant-body-machine models and liquid building materials.