Soundwalk Editions features artists and composers who use environmental field recordings as a point of departure in their work.  By recording sounds outside of the conventional studio you are in the act field recording, audibly engaged with ears that gradually refine a sonic experience, like the eye looking through a camera lens.  Field recording  is often synonymous with phonography, in which sound takes the place of image in documenting a location, physical act, or a natural occurrence.

Drawing attention to the quality and experiential nature that can exist in the soundscapes of our environment, these works allow the viewer to have an intimate experience with the various compositional approaches practiced by each individual artist.  Through listening to these recordings we have the opportunity to become aware of the various dialects that can exist in the language of field recording compositions.

Syn Emergence is a project which examines Rich Bevan’s own associative relationships between sound, form and space.

The project is constructed according to a range of specific sonic and spatial scale rule sets (micro, component, meso and macro) which he designed as part of a cross-disciplinary notation/cartographic system.

The film was conceived as part of Rich’s Masters at the Bartlett School of Architecture (Unit 15).

A work of art that explores the relationship between nature, motion and sound, The Interpretation takes us on a languid journey through a slowly flourishing forest. Hinting at vague memories of microbiology and rotating through a cool organic spectrum of greens, blues, browns, blacks and whites; this motion-based work will entrance its viewer as the forest evolves. The Interpretation is set to a minimal score filled with authentic sounds of nature, complimenting the environmental essence of the visuals.

Visuals by Michael Paul Young. Soundtrack by Michael Cina.

This summer, avant–garde composer John Morton’s sonic collage, Central Park Sound Tunnel, will be installed in one of Central Park’s iconic pedestrian tunnels between the Central Park Zoo and the Tisch Children’s Zoo at 65th Street. Beginning every half–hour with the ringing of the Delacorte chimes, this 20–minute, 6–speaker sound installation incorporates field recordings made in Central Park over the last year.

Using computer technology, a randomly generated selection of ambient sounds such as horses clopping, baseball games, birds, and chime tunes are woven together to form ever–changing compositions that echo through the cavernous tunnel.

Click here to experience some sound samples.