SurfaceCities is a research and teaching initiative, established to study our changing images of cities in the context of a new visual culture developing around information technologies. The website hosts a range of projects and papers developed by faculty and students in the Department of Architecture at Cornell University. They are using information technologies to explore new ways of reading and handling cities for a variety of purposes, from environmental activism to extreme commuting.

Their approach is to create dynamic, graphic and situated projects that extend or challenge established theories of urbanism. This work cuts across numerous fields (architecture, information science, and urban studies) in order to challenge traditional conceptions of the city that are static, depersonalized, and focused primarily on built form. In addition, it suggests new configurations of people, computers and cities that shift the discourse on human-computer interaction towards human-computer-environment interaction.

The publishing nerds at Slice Magazine hit the subways, parks, bars and streets, and document what people are reading and wearing on their blog, Cover Spy.

Example:
Tao Te Ching, Lao Tzu
Male, 20s, red plaid pants w black oxfords & consciously-poetically shabby coat, G train

Image from the Crop Mob Flickr page.

Crop mob is primarily a group of young, landless, and wannabe farmers who come together to build and empower communities by working side by side.  Crop mob is also a group of experienced farmers and gardeners willing to share their knowledge with their peers and the next generation of agrarians.

Many crop mobbers are apprentices or interns on sustainable farms in the Triangle area of North Carolina. The need for community participation matches a desire for community among young people interested in getting into farming. The crop mob was conceived as a way of building the community necessary to practice this kind of agriculture and to put the power to muster this group in the hands of our future food producers.

Any crop mobber can call a crop mob to do the kind of work it takes a community to do. They work together, share a meal, play, talk, and make music. No money is exchanged. This is the stuff that communities are made of.

Creative Allies gives passionate art students, designers, creative types, writers, photographers, videomakers and fans (Allies) the opporunity to work with their favorite bands. Allies can from anywhere in the world upload their creations inspired by music. The creations can be licensed by the musician it was made for.

Musicians on the other hand can post requests for whatever they need made,  and allies can browse jobs to find something that strikes their creative chord.

The Attractive City Generator was conceived and developed as a part of a research project at the ETH in Zurich, at the chair of Computer Aided Architectural Design. It is a tool to educate people how cities could be created in many ways and different settings in a very playful way.

The goal is to make people aware of social conditions in an urban network and encourage them to take part in decisions – involve people into the process of urban planning . The urban planners are only setting the basic rules for the city as a basic framework. Instead of using a mouse or a keyboard, the application is designed much more intuitively and contextually for the user.

Cre­at­ive Cit­ies seeks to ini­ti­ate con­ver­sa­tion about why inclus­ive, sus­tain­able and cre­at­ive cit­ies are bene­fi­cial, and neces­sary in a rap­idly urb­an­ising region, and to use pro­jects, research and opin­ions to sug­gest factors that aid the devel­op­ment of cre­at­ive cit­ies. They seek to identify and cel­eb­rate the local skill base of cit­ies in the region and to high­light the value of devel­op­ing tra­di­tional skill sets and indus­tries to con­nect with a global know­ledge economy.

The blog doesn’t seek to provide neat “solu­tions” to the diverse issues faced by cit­ies across the region, or to impose the val­ues of one city on another, or to replace the in-depth and ongo­ing work of experts in this field.

Rather, they seek to use a short-term strategy to plant a seed in the minds of a broader audi­ence about the ideas around cre­at­ive cit­ies, and to con­nect that audi­ence with sources for fur­ther inform­a­tion about issues of sus­tain­ab­il­ity, inclus­ive­ness and the poten­tial of the cre­at­ive eco­nomy with par­tic­u­lar ref­er­ence to cit­ies in East Asia.

Thir­teen coun­tries are included in the scope of the Cre­at­ive Cit­ies pro­ject. They hope to secure con­tri­bu­tions from them all and to high­light the skill sets, strengths and unique con­di­tions of major cit­ies in each of these countries. The countries are: Aus­tralia, China, Indonesia, Japan, Korea, Malay­sia, New Zea­l­and, Phil­ip­pines, Singa­pore, Taiwan, Thai­l­and, Viet­nam and UK.

In this installation YesYesNo teamed up with The Church, Inside Out Productions and Electric Canvas to turn the Auckland Ferry Building into an interactive playground. Their  job was to create an installation that would go beyond merely projection on buildings and allow viewers to become performers, by taking their body movements and amplifying them 5 stories tall.

They used three different types of interaction – body interaction on the two stages, hand interaction above a light table, and phone interaction with the tracking of waving phones. There were six  scenes, cycled every hour for the public.

How To Explain It To My Parents is a Documentary series by Lernert & Sander in which nine abstract artists explain to their mom and dad what their work is all about.

Above, episode 1 with fantastic artist Arno Coenen.

Fascinated by the incredible hearth of culture that is NYC, strategic planner and hobbyist photographer Friko Starc set out to document it at its rawest, most candid form. For three years, he took portraits of strangers and passers-by at five Manhattan corners in what became The Corners Project, an inspired cross-section of New York’s living matter.

Frico made 5 books of portraits. By sitting for days at a time on one spot, he  captured a glimpse of that amazing mosaic that is New York.

Find the The Corners Project on Facebook.

The Context Project is an Independent Study Project through the University of Central Oklahoma created to explore the contextual relationship between examples of Industrial Design and their surroundings. In short: What if everyday items had museum tags next to them? Are they now a piece of Art?

Adam LeNaire is writing a book to attempt to address, or perhaps just ask, these questions with the hope of providing a different viewpoint to both industrial design and works of ‘found’ art. The Context Project blog was set up to increase the spread of objects in the book to global proportions instead of only local works.

Adam invites people to go and take amazing photographs of things with little cards next to them. This includes: fences, sewer grates, metro cars, train tracks, anything that is manufactured. Visit the website for more details.